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2009 Lines Generate Utopia (while Colors Displace It): A miscellaneous record of Phil Kelly

Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


Phil Kelly


phil Kelly


Phil Kelly


Phil Kelly


"Interview with Irish artist Phil Kelly", Gonzalo Vélez, UnomásUno, December 22, 1990.

"The unprecedent city of Phil Kelly", Gonzalo Vélez, UnomásUno, October 5, 1991.


"A parcial alphabet for Phil Kelly", Fernando Solana Olivares, El Nacional, (Sunday supplement, N° 100), April, 1992.

"Phil Kelly, music of urban color", Susana Fischer, El Nacional (Cultural section), June, 1992.

"Celebration of an absolute cuty", Interview with Susana Fischer, El Nacional Dominical, June 12, 1992.

"An Irishman discovers Oaxaca", Eva Beitman, Conozca Más; March, 1992.

"Phil Kelly: D.F. Blues", Luis Carlos Emerich, Novedades (Sección C), March 11, 1992.

"Foreign Artist Thirve South of the Border", John Maxim, The Sun, MArch 22-28, 1992.

"Phil Kelly at the Chopo Museum", Gonzalo Vélez, UnomásUno, March 14, 1992.

"A view of the city from its own disorder", Eduardo Leaman, UnomásUno (weekly guide), April 2, 1992.

"You don't have to paint the nopal cactus to identify with México", Interview with Adriana Moncada, UnomásUno (Science, Culture and entretainment section), June 25, 1992.

"The O-zone, drawings and oils of Phil Kelly", Susana Fischer, El Nacional (culture section), June 25, 1992.

"Opening the Doors of Perception", Jessica Johnson, The News, july 5, 1992.

"The sound of chromatism of Phil Kelly" Miguel Ángel Quémain, Época, July 13, 1992.


"México D.F., Brews and CD's", Osvaldo Sánchez, Poliéster Magazine N° 78, March, 1993.

"Phil Kelly and the Asphalt lines", Ingrid Suckaer, El Nacional Dominical, N° 149, March 28, 1993.

"Supposedly we live in the time of images, but the world needs more visual education: Kelly", Interview with Adriana Moncada,UnomásUno (Science, Culture and entretainment section), March 30, 1993.

The urban painting of Phil Kelly", Edgar Reza, UnomásUno (supplement), June 17, 1993

"Urban Trilogy", Minerva Vacio, El Financiero (finsemanario section), October 2, 1993.

"The City: Three points of view"; César Octavio Larrañaga, UnomásUno (Culture section), October 7, 1993.


"The art circulates down the corridor" María Luisa López, Reforma (Culture section), April, 15, 1994.

"City of blues, city of swing", Lorna Scott Fox, Reforma (Culture section), December 29, 1994.

1995 "The persistence of jazz in the brush of Phil Kelly", Estrella Olvera, El Economista (Cultural supplement La Plaza); February 1, 1995.

"Dialogue between Phil Kelly and Tomás Gómez Robledo", Gonzalo Vélez, UnomásUno, January 19, 1996.

"Visual readings in the streets of the city", Susana Fischer, El Nacional, January 29, 1996.

"Phil Kelly at Westbourne Gallery", Arts de The Times, London England, March 6, 1996


"Babel deciphered", Teresa del Conde, La Jornada (Cultural section), January 21, 1997.

"Phil Kelly, urban story-teller", Gonzalo Vélez, UnomásUno (Cultural section), January 24, 1997.

"Babel deciphered, the plastic idiom of Kelly", Miguel Ángel Muñoz, Reforma (El Angel Supplement), February 2, 1997.

"Swinging with Phil Kelly at the MAM", Katherine Estrella, Mexico City Times (Arts & Leisure), February 10, 1997.

"The City of Phil Kelly", Miguel Ángel Muñoz, Etcétera, March, 1997.

"I seek outt the humor, the absudity and the comical of the metropolis", Interview with Victorina Saldaña Clemente, El Día (Cultural section), February 26, 1997.

"Oil on asphalt: the pictorical reflection of Phil Kelly", Ma. Elena Matadamas, El Universal (Cultural section), March 10, 1997.


"DF's Urban, Irish Poet in Paint", Barbara Kastelein, Mexico City Times (Arts & Leisure), March 13, 1998.

"Phil Kelly jazzes up the city", Tim Harvard, El Universal (Universal Journal), March 17, 1998.

"Phil Kelly", Margaret Hooks, ARTnews, Summer of 1998.


"Wild Colors and rhythms of Mexico City come alive", Catherine Craddock, The News (Arts & Entertainment), February 12, 1999.

"Phil Kelly: notes on the other surface", Cuauhtémoc Arista, El Heraldo (Escaparate supplement), February 21, 1999.

"Phil Kelly debuts nationality", Sandra García, El Universal (Cultural section), February 22, 1999.


"If Francisco toledo paints critters, I paint cockroaches: Phil Kelly", Edgar Alejandro Hernández, El Universal de Oaxaca (supplement), January 5, 2000.

"Dishonesty is the only thing that should dissapear in painting", Interview with Adriana Moncada, UnomásUno (Cultural section), January 5, 2000.

"A swirl of Mexico", Aidan Dunne, The Irish Times (The Arts), February 26, 2000.

2001 "One way Ticket", José Manuel Springer, Excélsior (Arena cultural supplement), October 21, 2001.
2002 "The Seafood Interior by the Irish painter Phil Kelly", Rick Stein, The Times, London, England, April 24, 2002.

"Papier-mâché Monster", Luis Carlos Emerich, Artes de Mexico (Alebrije supplement), 2003.

"The landscapes of Mexico City in brushstrokes", Gabriela Jiménez Bernal, El universal, June 17, 2003.

Central page in La Jornada de en medio, June 17, 2003.

"Leonel Maciel and Phil Kelly in the Mexico City Museum", Macario Matus, Excélsior (Arena supplement), July 6, 20033.

"Phil Kelly's paintiings offers reconciliation with Mexico City", Merry Mac Masters, La Jornada (Cultural section), August 6, 2003.

"Phil Kelly. The city made by colors" uz Elena González, Torre Mayor magazine, October, 2003.

"Word and image, a dialogue that serves as a premise in a conversation of Mexico City", Merry Mac Masters, La Jornada (Cultural section), November 22, 2003.


"Phil Kelly, his hours in Mexico" Gonzalo Vélez, Reforma (Cultural section), February 7, 2005.

"Anonymous bodies of art", Erika P. Bucio, Reforma (Cultural section), April 3, 2005.

"Interview / Phil Kelly: Painting with the hand, the eye and the heart" Gonzalo Vélez, Reforma (Cultural section), August 21, 2005.

"The city and its qualities", Humberto Granados, Gaceta UNAM, October 3, 2005.


"Dark cicles eyed and painted", Nexos (Special issue with the work of Phil Kelly), January, 2006.

"I tried to avoid the grey color.- Kelly", Sergio R. Blanco, Reforma (Cultural section), February 3, 2006.

2009 "The line generates (the color displace) utopia: miscellaneous records of Phil Kelly", Luis Roberto Veran, El Buen Tono, june-august, 2009.


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